Star Trek: I watched this new movie three times

First off let me say that I am a devoted Star Trek fan, but not a die hard trecker. I don’t own a Star Trek encyclopedia, never went to an event, don’t speak klingon, and don’t own a uniform. But I grew up watching the original series in reruns (TOS). I was so hooked, I never missed a single episode if I could somehow help it, come hell or high water. I also loved the motion pictures with the original cast. But they lost me with TNG (the next generation). I really tried to like it, but never came to care for the characters. Enter the Borgs and I was so disgusted that at that point I jumped ship. Everything produced after TNG went straight over my head. From what I learned, I am not the only one.

I watched this new movie three times. Then I spent a lot of time online reading reviews and opinions. I carefully read all the the complains, the criticism. And I can’t help but agree. Does this movie carry a message? Other than the hint about water boarding, probably not. Is it about peaceful exploration? No! Does it suffer from ADHD? Is it too fast paced, is there too much action and violence packed in a weak story line, does it have huge plot holes? Is the Kirk character a little over the edge? Does Spock act out of character? Does the whole time travel and alternative universe business stink somewhat? Yes, guilty on all charges. Did I care for this thing between Spock and Uhura? Nay…

Is this Star Trek after all??? Yes, it is!

I loved the movie. In fact, I weeped with joy. This movie makes me feel like being reunited with dear long lost friends that were left behind for dead. Not to mention the fact that it beamed me right back into my childhood.

The key figures of the cast are terrific! Time for a big sigh of relief: Zacchary Quinto was spot on, which is vital for many folks including me who feel that Spock is the character that makes Star Trek truly special. Chris Pine and Karl Urban did a fantastic job too. All supporting characters also are portrayed very well. I admit I didn’t care at all for Ben Cross as Sarek. He somehow always lookes like he was pouting.

Some of the characters come with a slightly different flavor. Spock is still a little green behind the ears (pun intended!). Kirk is over the edge rebellious, constantly hanging over a cliff with a bloody nose, and doesn’t show any interest of classic literature as of yet . But all that makes sense, its an age thing.

The only really regrettable twist concerns Amanda. Her character hardly gets any attention and than gets killed of. Along with the whole planet Vulcan at that. That is really hard to stomach, I am still chewing on that one.

And still this movie feels so GOOD! It’s hard to explain, but I give it a try.

Every once in a while along comes a show or story that simply is somehow…magic. That has the stuff fairy tales are made of. That has something that resonates with a primal common core deep inside. Magic is not just a thing of the distant past; they still make that stuff. Really! Simply by following ancient, time proven recipes.

Walt Disney, for example, knows a thing or two about magic. Cinderella will never go out of style!

Star Trek TOS has that magic. This is why it survived early cancellation in the late sixties. Not only survived, but from there it kept thriving. Despite the painfully cheesy low budget production and reluctant studio bosses who did their best to slash creativity for ratings. Despite the ‘Mary Sues’ in ridiculously short mini skirts, and terrible special effects. Maybe Star Trek TOS survived and thrived not despite but because it was cancelled, who knows?

Don’t take me wrong, many of the episodes contain great drama, good conflict with plenty of thought provoking messages. Reflecting on the war in Vietnam Rodenberry’s Starfleet stands for a military force as it should be, using weapons only as a last option, strictly adhering to the prime directive of non interference but still somehow finding ways to stand its ground. What is not to like?

But the main reason for Star Trek TOS’s huge success is the character constellation and the chemistry between them. Because they all present old, well known stereotypes.

The Kirk, Spock and McCoy troika forms the core. Spock, superior to the mere humans around him, standing for knowledge, science, reason and control, McCoy for expressing and dealing with lower emotions like fear and doubt, but also deep care and nurture as a healer or doctor. The love/hate relationship between those two provides great drama and charming humor. Kirk consults with these two opposites, puts it all together, adds human instincts, intuition and leadership. Now Enterprise is ready to take action.

This set of 3 is supported by a framework made of the 4 remaining personalities on the Enterprise bridge, each presenting a different corner and culture of the globe. Uhura from Africa the South, soft spoken and exotic. Scott from Scotland in the North, crafty and energetic. Sulu from Japan in the West, calm with a zen like smile. And Chekov from Russia in the East, the youngest in the lot, eager to please, still an ensign and somewhat low in the food chain, so he doesn’t post any threat to the sixties cold war audience.

They all line up like ducks in a row or the seven chakras. The Enterprise is the shiny powerful vehicle that holds all the pieces of the puzzle together.

Put it all on a new and exciting stage, a promising, positive future, and success is almost inevitable. But if you take away a piece of the puzzle, or the Enterprise, or change the pattern somehow, things get out of balance. This is why things went downhill with all the spin offs. Over time, Star Trek slowly but surely disintegrated.

So cliche, some complain. But that doesn’t always has to be a flaw, Here it is a thing of beauty.

The TOS concept is so simple and elegant, is so immensely satisfying. This is why so many people are fascinated by the Star Trek phenomena. It strikes an ancient cord, it resonates with us.

Now, JJ Abrams, Roberto Orci and Alex Kurtzman, put the pieces back together, and Star Trek as we know and love it is back. They captured the essence and take us to the very beginning of the Enterprise saga and its unique crew, and despite all this new background noise (plot holes, ADHD and all, see above) the story still flows seamlessly, still feels right. Again. All hands back on deck, everybody is back on station. The spirit of Star Trek is back. For that I am eternally grateful!!!

If cutting edge special effects and an action filled plot with with lots of humor help drawing wider attention and get more people on board, well, that’s even for the better!

Lets hope that in future sequels our friends stay together and are allowed to do some growing up from here, getting a little more reflective and wiser on the way, taking us along for the ride. And that the spirit of Star Trek doesn’t get watered down to oblivion again. And I hope and pray that our new alternate universe doesn’t come with Borgs!!!

To cite Nimoy’s Spock: “Have faith that the universe unfolds the way it should” (Star Trek VI). And: “Go with what feels right” (Star Trek 2009)

Well, that is the way I feel!

Please excuse my english, I am not from your world, ummh continent

Up: Lets Go Fly A House

I wouldn’t want to know the person who doesn’t like this movie

Anne Fletcher’s “The Proposal” Sure To Garner Laughs

The theme of Anne Fletcher’s “The Proposal” doesn’t break any new ground (another terrific film about a marriage ‘of convenience’ to stay in America was “Green Card”, a few years back), but this ‘take’ has the benefit of two of the most attractive, likable stars around, Sandra Bullock and Ryan Reynolds, some genuinely witty dialogue, and the beautiful Boston North Shore (substituting for Simka, Alaska). The result is a film that will leave you with a smile and a desire to cuddle, so watch it with someone you love!

In a savvy modern gender reversal, Bullock is a brilliant, if ruthless Canadian book editor, and Reynolds is her long-suffering, but efficient secretary, forced into posing as ‘engaged’ when she is about to be deported. The pair so obviously are mismatched (by age…she is over a decade older…by temperment, and the fact they can’t seem to agree on anything about their past), that the ‘Elliot Ness’ of Immigration (Denis O’Hare, in a funny turn), gives them just three days (spent at his family’s home in Simka, celebrating Granny’s 90th birthday), before his interview will send Bullock back to Canada, and Reynolds to prison.

In Simka, the film really hits it’s stride, as we are introduced to the fabulous Betty White (as a very spry nonogenarian) and her cute (and very put-upon) puppy, Craig T. Nelson and (a woefully underused) Mary Steenburgen as his parents, (woefully overused) Oscar Nuñez as the local ‘jack-of-all-trades’, and Malin Akerman as Reynolds’ ex-girlfriend. While some situations are expected, under the circumstances (a shared bedroom and accidental nude…VERY nude…encounter, and a ‘baby maker’ quilt that always seems to be a prop in films involving ethnic cultures), we also get to really know the quiet Reynolds (who is a gifted writer struggling against a father who had already blueprinted his entire life), and the reason for Bullock’s attitude (living on her own since a teen, and overachieving to compensate for a lack of love). While the frequent moments of slapstick are hilarious (the poor dog, a hungry eagle, and panic-stricken Bullock’s stolen cellphone is a high point), the character development gives the film ‘heart’, and makes the growing affection between the pair not only believable, but something to cheer about.

In this kind of film, you KNOW everything will turn out alright (what kind of date movie would it be, if it didn’t?), but there are a few novel twists to keep things interesting!

We have got a MASSIVE 42% discount available for you on The Proposal (Single Disc Widescreen)

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